Portrait of Pig Iron School Director Quinn BauriedelGabriel Quinn Bauriedel
(Program Director, Improvisation, Creation, Seminar) 
Quinn is a co-founder and Co-Artistic Director of the OBIE Award-winning Pig Iron Theatre Company. Since 1995, Quinn has been one of the leading artists with the company, co-creating many of the company's 30+ original works of theatre and touring them to venues and festivals in Brazil, Germany, Scotland, England, Romania, Poland, Peru, Italy, Ukraine, Lithuania and Ireland, among others. Additionally, Quinn and Pig Iron regularly present their work in New York City and have toured throughout the States including engagements in San Francisco, Washington, DC, Princeton, Providence, Cambridge, Atlanta, Tampa, Logan (Utah), among others.  He has directed, designed and performed with the company since its inception. 

Quinn has taught courses in acting and movement theatre since 2002 at Swarthmore College.  Additionally, he has been on the faculty of the Headlong Performance Institute and has taught courses at Princeton University.  Quinn has taught workshops at the Alternative Theatre Festival in Budapest, with Arts on Location in Bangkok, Thailand, at Les Kurbas Theatre in Lviv, Ukraine, with Cabuia Teatro in Buenos Aires, Argentina, at Teatrul Fara Frontiere in Valcea Rimnea, Romania and at Princeton University, Stanford University, UVA, Wesleyan university, Utah State, Georgetown, American University, and UPenn, among many others.  Additionally, he has taught professional theatre training workshops in Philadelphia, New York, and San Francisco for the past 15 years.

Portrait of faculty member Emmanuelle DelpechEmmanuelle Delpech
(Improvisation, Creation) 
Emmanuelle Delpech is a theater artist: actor, director and teacher. A native of France, she works and lives in Philadelphia. She was classically trained (text based theater) at the Ecole Superieur d’Art Dramatique de la Ville de Paris and then studied physical theatre at l’Ecole Internationale de Theatre Jacques Lecoq.  She also graduated from Temple University and earned an MFA in Directing. Emmanuelle was a member of Pig Iron Theatre Company for 8 years and was Barrymore nominated for best supporting actress in Hell Meets Henry Halfway and won a Barrymore Award for Best Supporting Actress in a Musical for her work in James Joyce is Dead and So Is Paris. In June/July 2009, Emmanuelle performed with The Second City Chicago in Reverie directed by Dexter Bullard which was premiered at the “Just for Laughs” festival in Montreal.  As an independent artist, she has created and performed Madame Douce-Amere, a wordless clown duet at the 2005 Philadelphia Lives Arts festival, which was also produced by 1812 Productions at the Walnut Street Theatre in October 2006. She received a 2005 City Paper Award for her performance in that show.  In June 2016 she premiered a new solo piece at FringeArts: The Spinning Immigrant, on her experience as an immigrant, using sound devices and DJing. The show was world premiered in June 2016 at Fringe Arts.

In addition to Pig Iron School, Emmanuelle has taught at University of the Arts, Swarthmore College and Temple University (currently teaches classes for the graduate and undergraduate program).

Portrait of faculty member Sarah SanfordSarah Sanford
(Movement Analysis, Performance Dares, Bodies and Games, Creation, Pedagogy)
Sarah Sanford is a Philadelphia-based theatre artist and teacher.  She has been core faculty at the Pig Iron School since its inception in 2011.  Sarah joined Pig Iron in 2001 to make Shut Eye and then became a company member, co-creating and performing in Twelfth NightHell Meets Henry Halfway, and 99 Break-ups, among others.  Locally Sarah has acted at the Arden, Wilma, Lantern, Theatre Exile, BRAT, Mauckingbird, and Montgomery Theatre and has toured internationally with Pig Iron, Jo Stromgren Kompani, Volcano, and The Riot Group.  Sarah also directed the 2015 FringeArts premiere of Underground Railroad Game, a show that went on to win an Obie for Best New American Theatre Work and garner international acclaim.  Sarah has been choreographer/movement consultant for shows at Villanova Theatre, The Acting Company in New York, Quintessence Theatre, the Lantern Theatre, and Friends’ Central School.  Additional teaching work includes adjunct positions at Swarthmore College and Villanova, leadership and play-making workshops through Wharton Business School, and numerous professional and pre-professional theatre intensives.

Sarah is a graduate of École Jacques Lecoq and winner of the 2010 F. Otto Haas award for Best Emerging Theatre Artist.

Dito Van Reigersberg HeadshotDito van Reigersberg
(Cabaret, Open Canvas)
Dito is a co-founder of Pig Iron Theatre Company and has created and performed in almost all of Pig Iron’s productions since 1995, including the OBIE-winners Hell Meets Henry Halfway and Chekhov Lizardbrain.  A graduate of Swarthmore College, he trained at the Neighborhood Playhouse and the Martha Graham School of Contemporary Dance.  He has also performed with Headlong, Azuka, Mauckingbird, the Arden, Bearded Ladies, Rude Mechs, 1812 Productions, The Civilians, and Nichole Canuso Dance Company.  He is a Barrymore Award recipient for Best Ensemble for Mission to Mercury and for Best Choreography for Cafeteria (Pig Iron), a Barrymore nominee for Best Actor in a Musical for Hedwig (Azuka), as well as a Helen Hayes Nominee for Best Leading Actor for Hell Meets Henry Halfway.  With his Pig Iron cohorts Dan Rothenberg and Quinn Bauriedel, he was named a Pew Fellow (2002) and a Knight USA Fellow (2010).  Dito’s alter-ego Martha Graham Cracker is famously "the tallest drag queen in the world.”  Her monthly cabaret series at L'Etage in Philadelphia has been running for over 13 years.  Along with her extraordinarily tight band, she has performed regularly at a wide variety of venues including the Philadelphia Museum of Art, Joe’s Pub, and the Mayor’s Reception Room in City Hall.  He recently made Lashed but Not Leashed, an original cabaret of songs for Martha and her librarian fantasies, at the Kimmel Center and performed it at the Under the Radar Festival at Joe's Pub.

Aram Agazharian HeadshotAram Alan Aghazarian
(Jeu, Absurd)
Aram Alan Aghazarian is a performer, theater creator, and teacher. He is a founding member of Strange Attractor Theatre Company (Sans Everything, Enlightenment On E Floor North, A Terrific Fire). Theater work includes Pig Iron Theater Company (Swamp Is On, 99 Breakups, Pay Up), Team Sunshine Performance Corporation (The Sincerity Project, Punchkapow), Swim Pony Performing Arts (War of the Worlds), Lightning Rod Special (Let the Dog See the Rabbit), Perseverance Theatre, Alaska (Alfred Hitchcock’s The 39 Steps, Eurydice). Aram teaches in the Pig Iron MFA/Certificate program and at Community College of Philadelphia where he teaches Movement and Dance for Actors, and Rehearsal and Performance. He is a graduate of Temple University and the London International School of Performing Arts (LISPA).  

Jean Rene photoJean-Rene Toussaint 
Jean-Rene is a French actor, director, and internationally recognized theatre/voice teacher. He is the founder and director of the Stemwerk International Centre for the Voice in Rotterdam (The Netherlands), founded in 1988.
 Here Jean-Rene offers guided vocal exploration for individuals, couples, and groups, as well as certification in his methods for aspiring voice teachers and theatre artists. In recent years, he also has established a center for summer intensive voice retreats in Avanos, Turkey. His unique voice work is the result of 25 years of research and development, stemming mainly from working with deaf adults and children and from extensive world travel researching the primitive
 voice. His particular technique is based essentially on the movement of the body, on delineating the difference between 'voices to be' and 'voices to do', and listening based on bodily perception. He has directed theatre groups and theatre schools in France and the Netherlands since 1975 (in France 1975-1987; in the Netherlands 1988-2005) He has collaborated with artists such as Jerzy Grotowski, Robert Wilson, Annick Nozati and companies such as Theatre du Radeau, Theatre de Feu, The Living Theatre, Bread and Puppet Theatre and The Roy Hart Theatre, among many others.

Headshot of Dan RothenbergDan Rothenberg 
(Measures, Dramaturgy for Devisors)
Dan Rothenberg is a Philadelphia-based director and creator of experimental performance. As co-founder and co-artistic director of Pig Iron Theatre Company, Dan has directed and co-created almost all of Pig Iron’s original performance works. Together Quinn Bauriedel and Dito van Reigersberg, he received a Pew Fellowship in Performance Art (2002) and a USA Artists Knight Fellowship (2010). With Pig Iron, Rothenberg has directed and co-created more than 30 original works, including the OBIE-winning productions Hell Meets Henry Halfway (2005) and Chekhov Lizardbrain (2010). At Pig Iron, Rothenberg engages in collaborations with visionary artists who push the ensemble in new directions. Collaborators have included: director Joseph Chaikin; playwright Toshiki Okada; designers Mimi Lien and Machine Dazzle; songwriter and performance artist Cynthia Hopkins; Daniel Rudholm of Stockholm’s Teater Slava; and choreographers Sam Pinkleton and David Brick. Rothenberg’s work with Pig Iron has toured to 15 countries on four continents.

Dan has taught workshops to MFA students at Brown, Yale, University of New Mexico, University of Texas Austin, and Stanford; and semester-long courses for undergraduates at Swarthmore, UArts, and Princeton.  Internationally, Rothenberg has taught workshops to professional actors in Brazil, Sweden, Turkey, South Africa, Germany, Poland, Peru, Argentina, Scotland, and India.  

Outside of Pig Iron, Dan has directed three critically-acclaimed English-language premieres of plays by Toshiki Okada for the Play Company in NYC, as well as a national tour for the Acting Company, with stops at the Guthrie, New Victory, and Lincoln Center.   He designed sound for painter Alexandra Grant’s solo show at MOCA in LA, and directed the Berserker Residents’ Annihilation Point (Phila. Fringe  & Abrons Arts Center).  

Nichole Canuso smiling photoNichole Canuso 
(Dance-Theatre) Nichole Canuso is a choreographer and performer and artistic director of Nichole Canuso Dance Company. Her work experiments with the participation of audience bodies, personal narratives, and her devotion to the kinesthetic intellect.  She was a company member of Headlong Dance Theater for 10 years, associate member of Pig Iron Theater Company, co-founded Moxie Dance Collective and worked with physical theater master Bill Irwin as a creator/performer in The Happiness Lecture. Choreographic residencies include 2009 and 2014 fellowships at the Maggie Allessee National Center for Choreography (FL), MacDowell Colony (NH), Millay Colony for the Arts (NY), The Orchard Project (NY) and the BiLateral Residency in Budapest Hungary. Presentation of her work includes New York Live Arts (NYC), American Repertory Theater (MA), International Festival for Art and Ideas (CT), Velocity (WA), ODC (CA), Here (NYC). Fellowship support includes National Endowment for the Arts, William Penn Foundation, The Pew Center for Arts and Heritage, John S. Knight Foundation. She is a 2017 Pew Fellow.  nicholecanusodance.org

Allen J. Kuharski 
(History, Theory, & Practice of Ensemble Physical Theatre) 
Allen teaches in the Department of Theatre at Swarthmore College, where he holds the Stephen Lang Professorship in Performing Arts and teaches directing, performance theory, and theatre history.  Since 1995, he has directed the Swarthmore Project in Theatre, which provides in-kind grants for performance residencies for Swarthmore theatre alumni and their collaborators, which included Pig Iron Theatre Company for many years. 

He co-founded and co-directed Swarthmore’s semester-abroad program for theatre and dance students in Poland.  Allen trained as a set designer at the University of Wisconsin at Madison and was a Fulbright Scholar in Scenography to the Warsaw Academy of Fine Arts, where he studied under the Polish painter and performance artist Józef Szajna.  Before moving to Philadelphia, Allen was active for ten years as a set designer for theatre and opera.  He completed a doctorate in the director/scholar program in the Department of Dramatic Art at the UC-Berkeley, where he wrote the first dissertation in any language devoted to the theatrical work of Polish writer Witold Gombrowicz.  Allen has served as Associate Editor and Performance Review Editor for Theatre Journal.  His articles, reviews, interviews, and translations from Polish and French have been widely published in the U.S., Great Britain, Poland, France, Norway, Argentina, Austria, and the Netherlands.  His translation of Ionesco’s Rhinoceros (done with George Moskos) has been widely performed in the U.S.  Allen’s English-language version of Teatr Provisorium & Kompania Teatr of Lublin’s adaptation of Gombrowicz’s novel Ferdydurke received a Fringe First in Edinburgh and toured widely both nationally and internationally between 2000 and 2008. 

As a performance curator, he has co-commissioned Pig Iron’s Shut Eye (2001; done in collaboration with Joseph Chaikin) and Hell Meets Henry Halfway (2004; text by Adriano Shaplin; winner of an OBIE Award in 2005), as well as The Riot Group’s Hearts of Man (2006; written by Adriano Shaplin), along with American tours and residencies by Teatr Provisorium & Kompania Teatr, choreographer Jacek Łumiński and his company Silesian Dance Theatre, and director Michał Zadara and his company CENTRALA.  With his Swarthmore colleague Barbara Milewski, Allen presented the North American premiere of CENTRALA’s Chopin Without Piano in Swarthmore and Philadelphia in 2015.  Allen has received the Order of Merit for Polish Culture (2002) and the Stanisław Ignacy Witkiewicz Award (2006; given by the Polish chapter of the International Theatre Institute/UNESCO). 

KC Chun HeadshotKC Chun 
(Alexander Technique) 
KC is certified as an Alexander Technique teacher (M.AmSAT) and her practice interweaves the Alexander Technique, developmental movement, somatics and postmodern release technique.  The intersection of her dance and Alexander practice has also included guest artist teaching at Drexel University, West Chester University, nEW Festival, Trinity College, Denver University, Aspen Dance Connection, Bucknell University, the Cancer Support Center in Philadelphia and for breast-feeding moms at the North Suburban Hospital.  She serves on the dance faculty at Temple University, and will be joining the faculty at Bryn Mawr College in Spring 2013.  She has danced professionally for such artists as kim olson/sweet edge, Maedée Duprès, Sara Hook, Cynthia Oliver and Guillermo Ortega Tanus, and is currently working with Susan Rethorst and with Pasión y Arte Flamenco Co for PIFA 2013.   KC received her MFA in Dance from the University of Illinois at Urbana-Champaign in 2004, and is the Artistic Director of the pickup company, Fresh Blood.  Fresh Blood has presented choreography at the 2012 Norristown DanceFest, 2011 Cool New York Dance Festival, 2011 Fringe Festival, the University of Colorado at Boulder, Aspen Dance Connection, the Packing House Center for the Arts, the Dairy Center for the Arts, the Brooklyn Arts Exchange, the Merce Cunningham Studio and the 2006 DUMBO Dance Festival.  She has additionally coached gymnastics for competitive and recreational programs throughout Philadelphia, Manhattan, Boston and West Hartford.

Headshot of Adrienne MackeyAdrienne Mackey
Adrienne Mackey is an interdisciplinary creator engaging audiences in extraordinary experiences of play. She has directed over 14 original works including SURVIVE! - a 22,000 square-foot choose-your-own-adventure science installation - and Lady M, a feminist reimagining of Macbeth. Other works include The Ballad of Joe Hill at Eastern State Penitentiary, boasting a sold out FringeArts run and profile on NPR's Radio Times, and Welcome To Campus, in which students narrated experiences of higher education across a 2-mile promenade tour. Adrienne’s interest blending theatre with game design has resulted in War of the Words: Philadelphia, a mobile app/site-specific collaboration with Drexel's Entrepreneurial Game Studio, and The End, an alternate reality game mediation on mortality. Mackey is the recipient of an Independence Foundation Fellowship and two Knight Arts Challenges. She is also a classically trained soprano, a former lab chemist, and teaches for Pig Iron's MFA in Devised Theatre. Watch for her latest multi-media collaboration with the Pennsylvania Environmental Council, Story Trails, an immersive audio experience for Philly's Circuit Trail network. 

Headshot for Nick GilletteNick Gillette
Nick is a physical theatre artist, a co-founder of Almanac Dance Circus Theatre, and for more than a decade an instructor and performer at the Philly Improv Theatre. He is a graduate of the Pig Iron School for Advanced Performance Training, a 2014 New York Live Arts Fresh Tracks resident artist, a 2016 Colgate University Christian A. Johnson resident artist, and currently a resident artist at the Philadelphia School for Circus Arts. With Almanac he has collaborated to devise and perform Communitas (2014), Nightfall (2014), The Fleecing (2015), Leaps of Faith and Other Mistakes (2015 & 2017),  IAMMADEOFSTARS (2016), Exile2588 (2016) and Demon Magick Seminar (2017). He has performed with Cabaret Red Light, BRAT Productions, Lighting Rod Special, Pig Iron Theatre Co., Alex Bechtel, and Philly Improv Theatre. He lives in Philadelphia with his wife and two children.